Cindy Sherman Biography

Cindy Sherman is an American photographer who was born in Glen Ridge, New Jersey, U.S.A. She is best known for her elaborately disguised self-portraits that focus on social role-playing and sexual stereotypes.

Cindy is best known for Complete Untitled Film Stills, a series of 70 black-and-white photographs which were meant to subvert the stereotypes of women in media (namely arthouse films and popular b-movies). In the 1980s, Sherman used color film and large prints and focused more on lighting and facial expression.

In the year 1995, Sherman was the recipient of a MacArthur Fellowship. In 2013 she received an honorary doctorate degree from the Royal College of Art, London.

Cindy Sherman Age

Cindy is 67 years old as of 2021, she was born on 19 January 1954, Glen Ridge, New Jersey, U.S.A. She celebrates her birthday on January 19 every year and her birth sign is Capricorn.

Cindy Sherman Height

Sherman stands at an average height. She appears to be quite tall in stature if her photos, relative to her surroundings, are anything to go by. However, details regarding her actual height and other body measurements are currently not publicly available. We will update this section when the information is available.

Cindy Sherman Education

Cindy enrolled in the visual arts department at Buffalo State College, where she began painting. During this time, she began to explore the ideas which became a hallmark of her work.

She dressed as different characters, cobbled together from thrift-store clothing. Frustrated with what she saw as the limitations of painting as a medium of art, she abandoned it and took up photography.

There was nothing more to say, she recalled. “I was meticulously copying other art, and then I realized I could just use a camera and put my time into an idea instead. Sherman has said about this time. One of the reasons I started photographing myself was that supposedly in the spring one of my teachers would take the class out to a place near Buffalo where there were waterfalls and everybody romps around without clothes on and takes pictures of each other. I thought, ‘Oh, I don’t want to do this. But if we’re going to have to go to the woods I better deal with it early.”

Luckily we never had to do that. She spent the remainder of her college education focused on photography. Though Sherman had failed a required photography class as a freshman, she repeated the course with Barbara Jo Revelle, whom she credited with introducing her to conceptual art and other contemporary forms. At college, she met Robert Longo, a fellow artist who encouraged her to record her process of dolling up for parties. This was the beginning of her Untitled Film Still series.

Cindy Sherman Family

Sherman was born and raised by her parents in Glen Ridge, New Jersey. She is the youngest of the five children of Dorothy(mother) and Charles Sherman(father).

Shortly after her birth, her family moved to the township of Huntington, Long Island. Her father served as an engineer for Grumman Aircraft. Her mother taught reading to children with learning difficulties.

Cindy Sherman Married

Sherman was married to director Michel Auder. The couple married in 1984, making her stepmother to Auder’s daughter, Alexandra, and her half-sister Gaby Hoffmann. They divorced in 1999.

From 2007 to 2011, she had a relationship with the artist David Byrne. Between 1991 and 2005, she lived in a fifth-floor co-op loft at 84 Mercer Street in Manhattan’s Soho neighborhood; she later sold it to actor Hank Azaria. She bought two floors in a 10-story condo building overlooking the Hudson River in West Soho, and today uses one as her apartment and the other as her studio and office.

Cindy Sherman Net Worth

Sherman has an estimated net worth of $35 million dollars as of 2021. This includes her assets, money, and income. Her primary source of income is her career as a photographer. Through his various sources of income, Cindy has been able to accumulate a good fortune but prefers to lead a modest lifestyle.

Cindy Sherman Measurements and Facts

Here are some interesting facts and body measurements you should know about Cindy Sherman.

Cindy Sherman Wiki

• Full Names: Cynthia Morris Sherman
• Popular As: Artist
• Gender: Female
• Occupation / Profession: Photographer
• Nationality: American
• Race / Ethnicity: White
• Religion: Not Known
• Sexual Orientation: Straight

Cindy Sherman Birthday

• Age / How Old?: 67 years old as of 2021
• Zodiac Sign: Capricorn
• Date of Birth: 19 January 1954
• Place of Birth: Glen Ridge, New Jersey, U.S.A.
• Birthday: January  19

Cindy Sherman Body Measurements

• Body Measurements: Not Available
• Height / How Tall?: Average
• Weight: Moderate
• Eye Color: Not Available
• Hair Color: Not Available
• Shoe Size: Not Available
• Dress Size: Not Available
• Breast Size: Not Available
• Waist Size: Not Available
• Hip Size: Not Available

Cindy Sherman Family and Relationship

• Father (Dad): Charles Sherman
• Mother: Dorothy
• Siblings (Brothers and Sisters):  Four
• Marital Status: Married
• Wife/Spouse or Husband/Spouse: Married to Michel Auder(m. 1984–1999) 
• Dating / Boyfriend: Not applicable
• Children:  Sons (Not known) Daughter(s) (Not known)

Cindy Sherman Net Worth and Salary

• Net Worth: $35 million dollars as of 2021
• Salary: Under Review
• Source of Income: Photographer

Cindy Sherman House and Cars

• Place of living: US
• Cars: Car Brand to be Updated

Cindy Sherman Photography

Sherman serves in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress as well as a model.

Cindy Sherman Art

Sherman is a contemporary master of socially critical photography. She is a key figure of the Pictures Generation, a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery.

At first painting in a super-realist style in art school during the aftermath of American Feminism, Sherman turned to photography toward the end of the 1970s in order to explore a wide range of common female social roles or personas. Sherman sought to call into question the seductive and often oppressive influence of mass-media over our individual and collective identities…..Mary Wiseman.

Cindy Sherman Self Portrait

Sherman stated that the series was “about the fakeness of role-playing as well as contempt for the domineering ‘male’ audience who would mistakenly read the images as sexy.” She continued to be the model in her photographs, donning wigs as well as costumes that evoke images from the realms of advertising, television, and film.

Cindy Sherman Untitled Film Stills

Cindy Sherman’s Untitled Film Stills comprises of over seventy black and white photographs made between 1977 and 1980. When thinking about this series, some aspects of her entire body of work immediately come to mind: disguise and theatricality, mystery and voyeurism, melancholy and vulnerability.

The artist initially started this series in her apartment, using her own interior as a setting for the scenes. Soon, however, she moved her camera and props outside and shot in urban and rural landscapes as well, requiring a second person to assist her in taking the photograph. The artist Robert Longo, with whom she lived at that time, assisted her for a while, as well as her father, other family members, and friends.

Each individual image creates a distinguished scene. Untitled Film Still #21 for example, reminds of a scene from an outdated television show or movie, with the woman in the picture as the leading heroine, wearing a vintage 1950s outfit and looking captivated by something outside the frame. This creates suspense: we will never know what happens across the street from this woman. It makes the image not so much about what is happening in the picture, but more about what happened before and after the moment it was shot. This narrative element is characteristic of Untitled Film Stills. The scenes are recognizable as film stills – imitating typical cinematic angles, lighting, and dramatization – but they come from no particular movie.

Since she became renowned as an artist in the late 1970s, Cindy Sherman played with the slipperiness of identity. In Untitled Film Stills, but also in all her later series, it is always Sherman herself who is in front of the camera. Yet these images are never really self-portraits. Sherman uses photography as a tool to deceive and evades her own personality by taking on different identities. With vintage clothing, wigs, and make-up, she creates an entire range of personalities.

Sherman takes on many roles, also behind the camera: photographer, director, hairdresser, set designer, and stylist. In conducting herself to working with only her own body, she is capable to explore the endless possibilities of this seemingly limited subject. The different personas Sherman depicts are stereotypes; they represent a series of clichés: career girl, bombshell, fashion victim, schoolgirl, society lady, etc. – all characters deeply embedded in our cultural history.

They resemble publicity pictures made on movie sets, adopted from female roles in magazines, advertisements, and especially movies. All Sherman’s personas in Untitled Film Stills project the constructed idea of the women’s image, pointing out the arbitrariness of the female stereotypes.

In 1995, MoMA bought the entire series Untitled Film Stills from the artist and presented a solo exhibition with Sherman dedicated to the Untitled Film Stills two years later. Perhaps the success of this particular series lies in the fact that the images are so generic: we are not supposed to know where the images are shot or what exactly happens – the viewer can always add his or her share of imagination. In this timeless point of view, Sherman tells us that just like her construction of identities, everyone can be anything, anytime, anywhere.

Cindy Sherman Feminism

Despite the hundreds of portraits toying with female stereotypes that Cindy Sherman has produced throughout her career, the artist is resolutely noncommittal when it comes to analyzing her work through an academic lens. “The work is what it is and hopefully it’s seen as feminist work or feminist-advised work,” she once said. “But I’m not going to go around espousing theoretical bullshit about feminist stuff. Sherman would rather leave the theorizing to someone else, and there have been plenty of critics and academics willing to take on the task. Her roughly 40-year career has spawned countless texts, particularly in the realm of feminism. The discussion centers around two of her earliest series—the “Untitled Film Stills (1977-80) and the “Centerfolds (1981)—although even her chosen medium could be read in a gendered light. As Sherman came of age in the art world, the prevailing visual mode was painting dominated by “bad boy” expressionist and figurative painters like Julian Schnabel, David Salle, and Eric Fischl. Photography was still thought to fall below the painting in the hierarchy of mediums, but it granted women artists a mode that was relatively free from the heavy, male-dominated history of the painted canvas. Louise Lawler, Sherrie Levine, Laurie Simmons, Sarah Charlesworth, and, of course, Sherman all adopted the camera. “There was female solidarity,” Sherman said of the group. Even at a glance, it is easy to see some of the ways Sherman’s representations of women avoided the proclivities of the day. The heavy pancake makeup, high heels, and bullet bras of the film stills harken back to the ’50s rather than the au naturel look favored in the ’70s. And as such, “it is not just a range of feminine expressions that are shown but the process of the ‘feminine’ as an effect, something acted upon,” wrote Judith Williamson in a widely cited essay about Sherman’s series. Yet, throughout these moments, Sherman remained unwilling to directly tie her work to feminist theory. This tension became particularly clear with her Untitled #93 (1981), a centerfold featuring a tearful girl drawing her bedsheets close. Many critics interpreted the girl as a survivor of sexual assault. For Sherman, however, the inspiration was a woman who had gone to bed moments before the sun rose, following a night of debauchery.

Frequently Asked Questions About Cindy Sherman

Who is Cindy Sherman?

Cindy Sherman is a famous photographer who was born in Glen Ridge, New Jersey, U.S.A. She is best known for her elaborately disguised self-portraits that focus on social role-playing and sexual stereotypes.

How old is Cindy Sherman?

Sherman is an American national born on 19 January 1954, Glen Ridge, New Jersey, U.S.A.

How tall is Cindy Sherman?

Sherman stands at an average height, she has not shared her height with the public. Her height will be listed once we have it from a credible source.

Is Cindy Sherman married?

Yes, Cindy is married to Michel Auder. They got married in 1984 and separated in 1999.

How much is Cindy Sherman worth?

Sherman has an approximate net worth of $35 million dollars. This amount has been accrued from her leading roles in the artist industry.

Where does Cindy Sherman live?

Sherman is a resident of New York, NY, USA, we shall upload pictures of her house as soon as we have them.

Is Cindy Sherman dead or alive?

Sherman is alive and in good health. There have been no reports of her being sick or having any health-related issues.

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